| ELANGOVAN, bilingual poet, 
  playwright-director, screenwriter, literary editor, transcreator, and pioneer 
  of modern Tamil poetry and Tamil experimental theatre in Singapore!
 - S Thenmoli (Ms) (President, Agni Kootthu 
  -Theatre of Fire -,Singapore ) -
 
 
  ELANGOVAN, 
  bilingual poet, playwright-director, screenwriter, literary editor, 
  transcreator, and pioneer of modern Tamil poetry and Tamil experimental 
  theatre in Singapore, obtained a BA (Western Australian Academy of Performing 
  Arts) and a MA (Middlesex University, UK) in Theatre Directing. He has been a 
  freelance-journalist, teacher, television film-cameraman (then Singapore 
  Broadcasting Corporation), Welfare Officer (closed institution for 
  delinquents), Probation Officer and Prison Welfare Officer. He worked as an 
  Arts Administrator with the National Arts Council from 1987 to 2000, Lecturer 
  (Drama) at the Division of Performing Arts, LASALLE-SIA College of the Arts 
  from 2001 to 2003, an Associate (Literary) at The Centre for the Arts, 
  National University of Singapore in 2004, a Security Executive, from 2005 to 
  2006, a Drama Teacher at an international school in 2007, and Administrative 
  Manager in 2008. He is the Artistic Director of Agni Kootthu (Theatre of 
  Fire). He has published three collections of poetry: Vizhichannalkalin 
  Pinnalirunthu (Behind Windows of Eyes), 1979, Mounavatham (Silent 
  Annihilation), 1984, and Transcreations (a bilingual collection), 1988, and 
  ten collections of plays, DOGS and Other Plays, 1996, TALAQ (Divorce), 1999, BUANG SUAY and Other Plays, 2001, FLUSH - recipient of the Singapore 
  Internationale Award, 2002, MINES, 2003, OODAADI (Medium) -
 recipient of the Singapore Internationale Award, 2003, O$P$ OweMoneyPayMoney), 
  2004, 1915 - recipient of the Singapore Internationale Award, 2005, SMEGMA, 
  2006, and P (Shit), 2007.
 
 His works have been anthologized in The Poetry of Singapore (1985) and The 
  Fiction of Singapore (1990) in the Anthology of ASEAN Literatures series, and 
  ASEANO - An anthology of poems from Southeast Asia (1995), Philippines, Voices 
  of Singapore (1989), Words For The 25th (1990), Singapore: Places, Poems, 
  Paintings (1993), Journeys: Words, Home and Nation (1995) and Rhythms-A 
  Singaporean Millennial Anthology of Poetry (2000). He was one of the literary 
  editors of: SINGA - the journal of literature and the arts in Singapore, from 
  1990 to 1993 and 1997 to 1998, The Fiction of Singapore, Words For The 25th 
  and Voices 4 (1995).
 
 He has represented Singapore in the 2nd Asian Poetry Festival, Dhaka, 
  Bangladesh, 1989, 3rd & 4th Southeast Asian Writers’ Conferences in
 Singapore, 1987 and Philippines, 1990, 3rd World Poetry Reading, Malaysia, 
  1990, and 1st ASEAN Writers’ Conference / Workshop, Malaysia, 1992, and was a 
  member of the first multilingual literary delegation’s trip to China in Apr 
  1999 organised by The Centre For The Arts & The Association of Singapore 
  Writers (Chinese). He represented Singapore in the Singapore Writers Festivals 
  in 1988, 1993 and 2005, and the Ubud International Writers Festival, Bali, 
  Indonesia in Oct 2005.
 
 He has also conducted poetry and playwriting workshops and mentored for the 
  Creative Arts Programme series from 1991 to 1993, 1998, 1999 and 2004, 
  organised by the Gifted Education Unit of the Ministry of Education and The 
  Centre for The Arts, National University of Singapore. His bilingual poem 
  Hairline was displayed in the MRT: Poems on the Move series by the National 
  Arts Council in Jan 1999.
 
 He wrote the story, screenplay and dialogues for the 13-week teledrama SOOR 
  (High) based on true drug-abuse case-studies in Singapore and it was 
  telecasted on Vasantham Central of the Television Corporation of Singapore 
  (TCS) in 2003. DOGS was staged by the Hearts & Eyes Theatre at the Standard 
  Bank National Arts Festival, Grahamstown, South Africa, Jul 1996. DOGS was 
  given a staged reading in the Typhoon III Festival at the Soho Theatre, London 
  in Jun 2004, a rehearsed reading at the Birmingham Repertory Theatre in Oct 
  2004 and
 staged in the doublebill ‘Typhoon Live’ at the Oval House Theatre (Off West 
  End), London from 9 to 13 Oct 2007 by the Yellow Earth Theatre - UK's flagship 
  award-winning East Asian theatre company based in London. P (SHIT) was staged 
  by Teater Ekamatra, a leading Malay theatre group in Singapore, Mar 2006.
 
 
  Since 
  1991, he has written, adapted, transcreated and directed numerous plays for 
  Agni Kootthu (Theatre of Fire), a prominent bilingual exploratory theatre 
  group in Singapore. His major unpublished plays include Becak (Trishaw) Puli 
  (Tiger), Sangre (Blood), Mirugam II (Animal II), Buddha’s Handgrenade, 
  Transportation, I, BOSE, OH! And Alamak! His works have been staged in 
  Australia, UK, South Africa, Spain and India. He has also participated as a 
  Dramaturg: MOSAIC Youth Theatre of Detroit, USA, Dec 2000, UNESCO 
  International Theatre Festival, Sinaia, Romania, Jul 2001, and at the FIESTA! 
  International Experimental Theatre Festival, Dec 2001, Caracas, Venezuela. 
  Known to be controversial, irreverent and provocative, his works explore the 
  untouched realities in Singapore. He believes that art should conscientise, 
  confront and question accepted societal stereotypes of vision, perception, 
  feeling and judgement to examine reality as a historical and social process. 
  He received the 1997 SEA (South-East Asia) Write Award, Southeast Asia’s 
  premier literary prize, in Bangkok, Thailand for his bilingual contribution to 
  literature (poetry) and theatre in Singapore. 
 Elangovan’s books are available at: http://www.selectbooks.com.sg/ & 
  http://www.earshot.com.sg
 
 kamasoma@pacific.net.sg
 |